Carlos Acoustic Guitar

how do you price a guitar???? musicians and anyone please!?

k, so i want to sell a guitar to a workmate.. however i have no idea how to price it! as i am not a very instrumental person.
well my guitar is an adult sized carlos. it is like 4 years old…. not quite sure the model….
its got a hard case wihich is really very good! and a pedal for your foot to rest on!
btw its an acoustic….

I can’t find much info on Carlos guitars. Normally, I’d say to look on eBay and see what they’re selling for. The best thing would be to bring it into a music store and ask what it’s worth. If you paid $445 new, it will have depreciated some. Being used, a fair price is probably 50% – 75% of what you paid new, depending on condition.

NEW Carlos SLY Acoustic Guitar Pickup

Essential Guitar: 33 Guitar Masterpieces $6.74 This collection features performances of popular works for the guitar by Julian Bream, Alexandre Lagoya, Paco Pena, Andres Segovia, John Williams, and Pepe Romero.No Track Information AvailableMedia Type: CDArtist: ESSENTIAL GUITAR: 34 GTR MASTERPIECESTitle: ESSENTIAL GUITAR: 34 GTR MASTERPIECESStreet Release Date: 08/13/2002…

Stevie Ray Vaughan and Double Trouble $31.40 All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed….

Power of Soul: A Tribute to Jimi Hendrix $3.17 Formed in 1995 by the family of the legendary guitarist, Experience Hendrix has earned wide praise for its restoration of the Jimi Hendrix catalog and efforts to expand the legacy of one of popular music’s greatest artists. Janie Hendrix, president and CEO of Experience Hendrix, remains steadfast in efforts to protect the guitarist’s legacy. “We will continue to safeguard Jimi’s incredible musical…

Brazilian Music for Acoustic Guitar Book/CD Set $3.99 …

Believe $10.93 At 24 years old, Orianthi has already experienced what most aspiring musicians only dream of. She’s opened for her hero (STEVE VAI), backed an Idol (CARRIE UNDERWOOD), traded solos with a legend (CARLOS SANTANA) and shared the stage with the King of Pop (MICHAEL JACKSON). What’s left to conquer? The world stage, for one, and this guitar wunderkind has her sights clearly set on the road ahead. After a performance with CARRIE UNDERWOOD on stage at the 2009 Grammy Awards the blogosphere was buzzing with news of this little-known guitar prodigy. It prompted MICHAEL JACKSON to call with an offer for her to be his guitarist for his dates at the O2 Arena in London. When offered the gig in MICHAEL JACKSON’S live band, Orianthi joined a prestigious line of guitar players including EDDIE VAN HALEN, SANTANA, SLASH, STEVE STEVANS, JENNIFER BATTEN and LARRY CARLTON. Sadly the tour was not to be and music lost an icon. Working with Michael was a life-changing experience, Orianthi reflects, One I will never forget. Her story starts in Adelaide on the southern tip of Australia where, at the age of six, Orianthi began taking an interest in her dad’s record collection. Jimi Hendrix, Eric Clapton, Cream, Santana. he was into guitar players that are real songwriters, she boasts. Growing up in the 80s, a decade remembered for its many guitar greats, Orianthi also listened to a lot of Whitesnake, Van Halen and Def Leppard. Her father, who used to be a player in a Greek band, also kept plenty of instruments around the house, and it didn’t take long before Orianthi strummed her first chord. Mastering the six-string came naturally. When I was 11, Carlos Santana came to play Adelaide and that show really affected me, she recounts. I begged my dad to get me a second hand electric guitar so I could be like Carlos, and that was it, no more acoustic. After that, I would buy all of Carlos’ videos – on VHS! – which I kept rewinding to try and learn his solos. I totally wor

Mahavishnu Orchestra concert at Avery Fisher Hall on 27 Dec 73 $3.98 This Mahavishnu Orchestra performance, recorded on the first night of a two-night stand at New York City’s Avery Fisher Hall, captures one of the very last performances ever by the legendary original lineup. This recording is a fascinating glimpse of the group at the tail end of their existence. In July of 1973, Mahavishnu Orchestra convened at London’s Trident Studios to record their ill-fated third studio album. By this point, the relationships within the band were strained and the resulting recordings, which for the first time featured compositions by bandmembers other than McLaughlin, would not see the light of day for several decades. In August and September, McLaughlin and Cobham embarked on a tour with Carlos Santana, further straining the relationships within the band, which would dissolve by the end of the year. The initial classic lineup of the group lasted less than three years and only released two studio albums and one live recording during this era, but these recordings had a profound effect, redefining the jazz/rock fusion movement in the process. Combining the improvisational elements of jazz with the volume and energy of rock music, Mahavishnu Orchestra created music that was often intricate and complex, performed by musicians whose virtuosity thrilled audiences, musicians and critics alike. Following the captivating take on “Dance Of Maya,” they tackle another extended number, “Dream.” Again, there is an abundance of exploratory and propulsive playing here, but one of the most interesting aspects of this performance is that McLaughlin plays the first sequence on acoustic guitar, and it is far more compelling than the live version featured on Between Nothingness And Eternity, recorded the previous August. Often this initial sequence was merely a dreamy contemplative introduction to the fireworks to come, but here it is absolutely beautiful and McLaughlin’s playing has far more depth and character and Goodman’s haunting violin phrases are all the mo